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Jingdezhen Handmade Clay Throwing: A Millennia-Old Craft with Global Recognition

by Chengming Zhong 23 May 2025 0 Comments

 

Jingdezhen Handmade Clay Throwing: A Millennia-Old Craft with Global Recognition

1. Historical Roots and Cultural Significance

The art of handmade clay throwing in Jingdezhen traces its origins back to the Neolithic era, but reached its pinnacle during the Song Dynasty (1004-1007 AD). When imperial kilns were established to produce porcelain for royalty, the throwing technique flourished. By the Ming and Qing dynasties, Jingdezhen had become China's porcelain capital, with artisans gathering from across the land to perfect this craft.


National Intangible Cultural Heritage (2006)

UNESCO Tentative List (2020)

📜 The Ming Dynasty text Tiangong Kaiwu records: "Seventy-two hands must work the clay before a vessel is complete." Among these steps, clay throwing remains the most crucial.

🏺 Song Dynasty documentation in Records of Ceramics provides the earliest detailed accounts of these techniques.

2. Tools, Materials and Technical Process

Essential Tools:

  • Potter's wheel (traditionally foot-powered, now often electric)
  • Shaping tools, cutting wires, sponges and brushes

Material Selection:
Jingdezhen's kaolin clay remains unmatched for its plasticity and heat resistance. Research confirms that the throwing process aligns clay particles to significantly enhance structural integrity.

👐 Technical Process:

1
Clay Wedging: Removing air bubbles through kneading
2
Centering: Precisely positioning clay on the wheel
3
Opening & Shaping: Controlling thickness through finger pressure
4
Refining: Achieving millimeter-thin uniformity
5
Drying: Preparing for subsequent processes

3. Artistic Essence and Global Recognition

The highest achievement in clay throwing is the "union of mind and hand." As master artisan Wang Xiliang observes: "Throwing comes not from the hands, but from the heart."

🌍 International Recognition:

"Among the world's most perfect ceramic arts"
- Bernard Leach, British ceramicist

"Globally significant craft heritage"
- American Ceramic Institute

"The epitome of Eastern craft aesthetics"
- Yanagi Sōetsu, Japanese scholar

"Living human cultural heritage"
- Sèvres Museum, France

4. Contemporary Value

In our industrialised world, handmade throwing maintains unique relevance:


Artistic Value: Unique vitality

Cultural Value: Aesthetic philosophy

Educational Value: Patience & focus
Today, visitors to Jingdezhen's Ancient Kiln Folk Customs Museum can witness this living heritage. Local institutions continue developing programs to sustain this millennia-old tradition.

Have you experienced traditional clay throwing? Share your thoughts! 🏺

References

Chinese Sources:

  • Li Jiazhi History of Chinese Science: Ceramics Volume (1998)
  • Fang Lili Jingdezhen Folk Kilns (2002)

International Sources:

  • Leach A Potter's Book (1940)
  • Harrison-Hall Jingdezhen: Porcelain City (2014)
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